I came late to the cinema exhibition world, beginning with installations and training and marketing and quality assurance in 2002 with the film to digital transition all over the EU, and even China – from Sligo to Shenzhen is the catchphrase I use. It was a great time with great people. This project is my way to give some of that back.
History and Fate have led to this point, working in the audio recording business in the 70s during its initial transition to digital, in computer automation for audio consoles and other high end gear in the 80s and 90s, then in video equipment as it went from heavy iron to digital.
And then somehow being a projectionist at the Cannes and Venice Film Festivals in the early 2000s and making certain that systems were set up properly for a manufacture who had to report to DCI and doing bug-searches and white papers and ...wow, it has been fun.